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B0013USZHG
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Recorded live at the Centro de Acción Social por la Música, Sala Simón Bolívar, January 2008. An album everyone has been waiting for! Gustavo Dudamel and the SBYOV have stunned audiences worldwide with their explosive Latin-American showpieces. Now they deliver this repertoire on record, from a searing live concert in Caracas earlier this year. No other conductor or orchestra in the world could deliver a recording like this. Passion and excitement are guaranteed! "It's all about dance, about rhythm," says Dudamel, and his orchestra responds in kind, swaying and bending to the music, conveying utter joy and excitement in the music of their Southern hemisphere. The recording juxtaposes contrasting showpieces such as the Stravinsky-esque rhythmic drive of Revueltas's Sensemaya, the expansive lusciousness of Danzón no. 2 by Arturo Marquez and the vibrant ballet suite Estancia by Ginastera. The concert concludes with a sizzling performance of Mambo from Bernstein's West Side Story. The dynamic cover art displays the moment when the musicians are revealed dressed in their national colors - now a well known signature of the SBYOV, as is the blistering energy and exuberance with which they perform these pieces.


 
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From Reuters Life: THE GRATEFUL DEAD made their name playing improvisational music born anew with every performance, and now an American composer has sought to capture their psychedelic spirit in a classical symphony. 'DEAD SYMPHONY NO. 6' by LEE JOHNSON encompasses some of the band's most familiar melodies and its most otherworldly jams in a work in 12 movements. The symphony is 'a musical embrace of American culture' and a natural outgrowth of the band's spirit. Highlights include movements based on the Dead's psychedelic classic 'St. Stephen' and the rarely played 'Mountains of the Moon.' There is even an improvised portion, in the lament 'Stella Blue.' Johnson chose songs based on their melodic potential and overall fit. A movement based on the song 'Here Comes Sunshine,' for example, stretches the original melody in time so it is almost unrecognizable amid the harmonies. One ambitious movement was based on 'Blues for Allah,' which was played live only three times by the Grateful Dead. In Johnson's version, a clarinet's jaunty refrain evokes American composer George Gershwin, while deep cellos envelop the movement in its powerful Middle Eastern theme. The symphony's overture and finale include strains of 'Funiculi Funicula,' the much-parodied Italian song the Dead used often as a playful tune-up riff. Track List: 1 Dead Overture mvt I (Johnson)(1:53) 2 Saint Stephen mvt II (Hunter, Garcia, Lesh)(4:12) 3 Here Comes Sunshine mvt III (Hunter, Garcia) (6:38) 4 Mountains of The Moon mvt IV (Hunter, Garcia) (3:34) 5 Blues For Allah mvt V (Hunter, Garcia) (4:21) 6 Sugar Magnolia mvt VI (Hunter, Weir) (2:57) 7 To Lay Me Down mvt VII (Hunter, Garcia) (6:12) 8 If I Had The World To Give mvt VIII (Hunter, Garcia) (3:59) 9 Stella Blue mvt IX (Hunter, Garcia) (4:54) 10 Bird Song mvt X (Hunter, Garcia) (2:42) 11 China Doll mvt XI (Hunter, Garcia) (5:12) 12 Dead Finale mvt XII (Johnson) (1:51)


 
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This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. --Robert Levine


 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
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Fans of small, pretty-voiced soprano Sarah Brightman will not be disappointed by this CD. In addition to some pop songs, Brightman sings high-flying excerpts from Orff's Carmina Burana, Puccini's "O mio babbino caro" (performed better by almost any other operatic soprano elsewhere), and "Alleluia" from Mozart's Exsultate Jubilate. One might call this a crossover disc; others might just see it as a recording featuring a pop singer with artsy aspirations. Whatever it is, Brightman's fans love her; others do not. Two duets with tenor Jose Cura remind the listener what opera singing really ought to sound like. --Robert Levine


 
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Of all the reasons you'll click the Add to Shopping Cart button next to Baby Einstein's Baby Mozart--and there are many--the best one is that playing this record for babies doesn't feel weird. Instead of subjecting tiny, tender ears to the kind of Mozart that can make adult classical fans wilt when tackled by a maestro who means business, this is Mozart lite, mixed and mastered by a dad, Bill Weisbach, who's clearly hung around for his share of crib-side cooing. The slightly tinny sound of a child's piano sweeps the sting out of Piano Sonata in B Flat's third movement; the first movement of Concerto for Flute and Harp in C floats by, birdlike; variations on "Ah vous dirai-je, Maman" translate to a fancy-sounding (but adorable) "Twinkle, Twinkle"; and Piano Sonata in F's third movement snuggles so deeply into its childlike setting that if you close your eyes, you'll see a pastel parade of animals floating by overhead. Other pieces (more aptly called fragments, since only one track stretches beyond the three-minute mark), like Symphony No. 41's fourth movement, wander into more robust Mozart territory, but it's here the claims about classical music enhancing young kids' abstract reasoning skills and spatial intelligence crystallize. Babies strapped in for a roller coaster of sounds that gracefully dips, swerves, and high-jumps like this version, do have to process what they're hearing somehow (and a case could be made that the instruments Weisbach's chosen--the vibraphone, glockenspiel, and music box among them--make it more appealing for them to do so). Followers of Julie Aigner-Clark's Baby Einstein empire, many of whom opted out of the fan club once Disney bought the company in 2001, won't trip over a single Mickey Mouse-ified sound here. This is pure, plugged in, and muted Mozart, and if it doesn't make your baby smarter, it'll at least sound awfully sweet issuing from your nursery's speakers. --Tammy La Gorce


 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Anyone discovering this album who had never heard or heard of Luciano Pavarotti would immediately recognize greatness, a one-of-a-kind, one-per-generation (maybe) talent and personality that commands attention, respect, and yes, even love. These 35 selections are an astonishing achievement: Taken, for the most part from the tenor's prime--the 1970s and '80s (although there are four earlier and three from 2003)--what we hear is golden tone, impeccable diction, an innate sense of style and line and where the music should be going, absolutely natural phrasing, an evenness of production from C to (shining) C, and an ability to communicate warmth, passion, and the sheer love of music-making. The first CD is devoted to opera, with a dazzling "La donna e mobile," a smooth-as-silk "Una furtive lagrima," the famous aria from "La fille du regiment" with nine high Cs, "Nessun dorma" and many more. The second CD is mostly songs ("Torna a Surriento," "La danza," "O sole mio," etc.) sung with élan and flawless style, plus a couple of ghastly pop tunes (from 2003); to make up for them, we get a bonus--the three arias from Pavarotti's first EP from Decca, recorded in 1964--"E lucevan le stelle" and two arias from Rigoletto. Bravo, Pavarotti--we miss you already. --Robert Levine


 
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Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin


 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 

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