Let's Go Classical Mart,
Musical for relaxation


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B000001STL
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Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Joseph Schwantner is considered to be among the most successful and respected living composers in the United States. Although he has been principally influenced by George Crumb, Messiaen and Debussy, his music is at once identifiable by its luminous, bewitching sounds, chords of equal intervals and unusual effects. The present selection of music for chamber ensemble features the world première recordings of Soaring, a highly virtuosic high-wire act for flute and piano and Two Poems of Aguedo Pizarro, a pair of contrasting songs written for soprano Lucy Shelton. Sparrows is an expression of fifteen haiku by the eighteenth-century Japanese poet Kobayashi Issa, while Music of Amber is an expressive work of high energy and virtuosity.


 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Estimates will appear in the order form. After placing your order, you will see both shipping and delivery date estimates in the order confirmation e-mail and in the order summary in Your Account.
Calculating Cost
Shipping costs for orders from Amazon.com depend upon the method and option you choose.
If you choose to group items into as few shipments as possible, you'll be charged for one regular per-shipment fee, as well as a per-item fee for each item in that shipment.
If you choose to ship items as soon as they become available, we'll charge you full per-shipment fees for each shipment as well as a per-item fee for each item.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.



 
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Englishman John Rutter is today's most popular composer of church music, primarily owing to his accessible style and purposeful commitment to both professional and amateur choirs. This recording features some of Rutter's most popular sacred choral works from the 1980s--definitively performed by Rutter's own Cambridge Singers, conducted by the composer himself. --David Vernier


 
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Kenneth Gaburo (1926?1993) composed works for instruments, voices, electronics, multi-media, theater, and a variety of other resources. Foremost among his many interests was a concern with the voice and with language?how we shape language and how we are shaped by it?and with making works that existed somewhere between the boundaries of music and language. Of the works on this CD, three are intensely concerned with what Gaburo termed ?Compositional Linguistics? (Antiphony III, Antiphony IV, and Mouth-Piece), while concerns with balance and perceptual edges seem to be his foremost concern in the other two [String Quartet in One Movement and The Flow of (u)]. In Antiphony IV (1967), for three instruments and two-channel tape, the two channels are literally separate?vocal sounds (each phoneme, in order, of the source poem) on the left channel, and electronic sounds on the right channel, with the instruments in the middle. Instrumental timbres relate to vocal phonemes; electronic splats are contrasted with delicate synthetic choirs assembled from recordings of individual phonemes; tremolos, flutters, and waverings alternate among recorded voice, electronics, and instrumental sounds. String Quartet (1956) was written just after Gaburo had returned from Rome, where he studied with Goffredo Petrassi, and the quartet is dedicated to him. It?s a passionate, driving piece, where an intense concern for the quality of line is manifest in every gesture. In Mouth-Piece (1970) the trumpeter attempts to present six contrapuntal lines simultaneously and to maintain a sense of coherent timbral identity with each. Unlike most trumpet music, where the phoneme ?t? or ?k? is used to articulate the trumpet, here the trumpet is used as a filter for every phoneme the voice is capable of generating. It is an amazing exposition of vocal sounds and trumpet virtuosity. For Antiphony III (1962), for sixteen voices and electronics, a poem by Virginia Hommel again provides the basis. Here, however, it is articulated contrapuntally, one word at a time, by both the chorus and the tape. Each word is clearly heard, sometimes spoken, sometimes whispered, sometimes shouted, sometimes electronically modified on the tape, in the order presented in the poem. The Flow of (u) (1974) consists of one note sung by three singers for twenty-three minutes. Here, focus is even more intense, and the attention to dynamic shaping given to the lines in the 1956 Stri! ng Quartet is here transferred to the micro-level, and worked on with the singers in an ?oral tradition? manner.


 

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